From the editors
FOREWORD

DESTINATION
Aleksandr Sologubov
CULTURE IN A "FOREIGN" SPACE: AN INTRODUCTION
Ivan Chechot
TO GENIUS LOCI KALININGRAD AND KOENIGSBERG
Wolfgang Eichwede
KALININGRAD IN THE YEAR 2020 - A NOT QUITE FICTITIOUS CONVERSATION
Aleksandr Sologubov
DESTINATION - KALININGRAD

PHRASE BOOK
Aleksandr Sologubov
FROM KALININGRAD DICTIONARY

MAP OF THE CITY
Anatolii Bakhtin
UGLY KOENIGSBERG
Elena Gladkova
FORMA URBIS. SYMBOLIC PARALLELS
Valery Orlov
IN OR OUT

SOUTHERN STATION
Ivan Chechot
THE RAILWAY STATION AND ENTRANCE TO THE CITY OF KALININGRAD

CROSSROADS
Aleksandr Popadin
BINARY STATES OF "K" CITY
Eugeny Umansky, Karpenko-Karpenko
KATYANASTYA

IN THE CENTER
Andrei Monastyrsky, Sabina Haensgen
EMPTY CENTER K.
Pavel Nastin
COURTYARD-WELL

COMMUNICATIONS
Artem Advokat
GRAFFITI
Elena Tsvetaeva
FOLK GRAFFITI
Marek Wolodzko
FOLLOWING SILENT WORDS
FA+ (Ingrid Falk & Gustavo Aguerre)
THE MYTHICAL FOUNDATION OF KALININGRAD
Aleksandr Sologubov
MICROTOPONYMY

PRETERITION: KNEIPHOF ISLAND
Aleksandr Sologubov
THE CATHEDRAL
Aleksandr Popadin
ERECTING BRIDGES
Ivan Chechot
THE BRIDGES AND "THE PREGEL'S ODOR"
John Craig Freeman, Greg Ulmer
IMAGING KALININGRAD: THE SEVEN BRIGES OF KOENIGSBERG

STOA KANTIANA
Anatolii Bakhtin
FORGOTTEN KANT AND THE KANT-BRAND IN KOENIGSBERG
Aleksandr Sologubov
KANT
Olga Lopukhova
KANT'S TOMB
Erika Wolf
KANT'S BRIDES: A READYMADE PHOTOGRAPHIC CHRONOTOPE
Ivan Chechot
THE CATHEDRAL AND KANT FOR EVERYONE, OR IS GOD FEARSOME WITHOUT MORAL

THE CASTLE OF SOVIETS
Aleksandr Sologubov
THE ROYAL CASTLE
Igor Sacharov-Ross
WINE CELLAR
Dali Rust
A WHITE SEAGULL ABOVE THE CITY: THE SYMBOLS OF THE OLD NEW CITY
Joanna Sandell
WRITING OF DREAMS
RAKETA
LIGHT UP DOM SOVETOV
Aleksandr Sologubov
THE HOUSE OF SOVIETS

GERMANS
Ilya Dementiev
THE MOST PROFOUND SECRET OF ONE KOENIGSBERG LAWYER: HOFFMANN
KudaBegutSobaki
A LEGEND ABOUT FIVE LITTLE ULRICHEN AND FERRYMAN ANDRE

Peter Wunsch
KOENIGSBERG-KALININGRAD. THE TASTE OF MARZIPAN
Aleksandr Sologubov
THE COUNTRY OF PENSIONERS - OR THE GERMANS
Martin Huettel
QWERTZ

MOSCOW PERSPECTIVE
Olga Sezneva
CONCRETE ELEMENTS OF KALININGRAD
Agnieszka Wolodzko
HABITATION UNITS
Werner Moeller
THE UNDREAMED OF CITY
Oleg Vasiutin
TOWN PLANNING MATHEMATICS
Mark Borozna
MOSKOVSKII PROSPECT & THE SHADOWS AROUND ALTSTADT

OUR TOWER Ivan Chechot
KRONPRINZ
Elena Tsvetaeva
THE TOWER-REDAN "KRONPRINZ"
THE KRONPRINZ TOWER. Projects for the National Centre for Contemporary Arts by Students of the Institute for Theory and Design in Architecture (Braunschweig, Germany)
OUR PRIDE
Aleksandr Sologubov
AMBER
Aleksandr Sologubov
ALCOHOLIC BEVERAGES
Ivan Chechot
THE AMBER ROOM

BASTIONS
Avenir Ovsyanov
BASTIONS IN DIAMONDS AND EMERALDS
Rostan Tavasiev
LITTLE BRICKS

THE MARKET
Ivan Chechot
THE HOUSE OF MACHINERY: THE RECONSTRACTION AND EXPLOITATION OF THE POPULATION

V.I.P. (Very Interesting Person)
Elena Tsvetaeva
SERGEI TIMOFEEVICH

PLACE OF EXECUTION
Bert Hoppe
TRACES OF A VIRTUAL HISTORY IN A VERY REAL CITY

CSC ROC
Aleksandr Sologubov
CHRIST THE SAVIOR CATHEDRAL

TRAM
Aleksandr Sologubov
LIFE AND EGGS (A sketch about trams)
SKART
LUCKY TICKET

MEETING POINT
Aleksandr Popadin
THE BULLS
Ivan Chechot
GAUL'S FOUNTAIN
Ivan Chechot
A STROLL THROUGH THE CENTER
Aleksandr Popadin
IN THE FLOW: FOUNTAIN SEASON
Aleksandr Popadin
NINE
Elena Tsygankova
WILD WEST OF RUSSIA

THE ZOO
Irina Kozhevnikova
ZOO
Ingeborg Strobl
ANIMALS IN KALININGRAD AND A MOSAIC
Elena Tsvetaeva
KOENIGSBERG CATS

MEMENTO MORE
Avenir Ovsianov
KOENIGSBERG'S SPIRITUAL HERITAGE IN TONS, ITEMS AND SACKS. From the history of lost and found cultural heritage
Aleksandr Sologubov
KALININ PARK
Aleksandr Popadin
WE ALL ARE GOING TO BE THERE
Aleksandr Sologubov
MONUMENTS
Irina Kozhevnikova
MONUMENT TO 1200 GUARDSMEN IN KALININGRAD
Roger Palmer
BRIEF MEMORIALS

MATTER AND SPIRIT
Aleksandr Sologubov
MYSTICISM
Aleksandr Popadin
FRAGMENT OF A SYMPHONY FOR SLOW READING: IVANOV AND HIS SURROUNDINGS
Evgenii Umanskii
ATTIC OF RECOGNITION
Aleksandr Sologubov
STOVES
Dmitrii Vyshemirskii
MAN AND WOMAN
Lana Vyshemirskaya
THE SMALL SCULPTURE "GIRL"

ON THE STREET
Evgenii Umanskii
CHANUKAH
Aleksandr Popadin
CUBIC PAVEMENT
Igor Isaev, Dmitrii Demidenko
SEWER HATCHES
Aleksandr Popadin
THE FIRE HYDRANT
Irina Kozhevnikova
TRADITIONS
Kalle Brolin, Kristina Muntzing
POTENTIAL PLACE

Aleksandr Popadin
THE WATERFALL HERACLES' BOLT

V.I.P. (Very Interesting Person)
Manuela
NATASHA POTERYASHINA. Inteview

ATMOSPHERE
Aleksandr Sologubov
TO BE IN THE MOOD FOR PACKING
Aleksandr Popadin
ALL-WEATHER KALININGRADIANS
Dmitrii Bulatov, Pavel Savel'ev
ACEPHALUS: OPTICAL MODELS
Mark Borozna
LIGHT THE CRYSTALS OF KALININGRAD!

THE HARBOR
Evgenii Kazannik
PORT
Aleksandr Ponomarev
THE GATES

SUBURBS
Avenir Ovsyanov
THE BRIDGE THAT THE "RUSSIANS COULDN'T PULL DOWN"
Elena Tsvetaeva
THE ROAD TO BERLIN: FROM EPIC TO BANAL. Interview with Valerii Bugrov
Aleksandr Popadin
HOAR-STONES AND BOUNDARY SYMBOLS
Aleksandr Popadin
MUSCOVITES ARE HANGING
Anders Kreuger
BEFORE THE CITY




Photo of the author, 2004

FOLLOWING SILENT WORDS


Marek Wolodzko / Gdansk, Poland


Like many cities of our civilization, Kaliningrad is a clearly organized urban space. It has its own modernist climate, truly presenting the idea of creating an ideal city for an ideal man in an ideal world: one street is like another, one apartment block is like another. There is no architectonic dissonance interfering with the geometric clarity, no evidence that the city had another, pre-modern past. One can have an impression that Kaliningrad exists only since today, even though life pulses through the city as if it has existed forever. But only the omnipotent whirl of countless words and statements written on billboards, walls, and newspaper pages can provide a sense of depth to the city. Such words as: YOUTH, SMILE, VICTORY, KKS "Rossija", ACTIVE PEOPLE BREATHE IN A MORE ACTIVE WAY, BATTERIES FOR ALL CARS, TIME FOR EB, BALTIC STADIUM. An exotic presence is created by the fact that the words are written in a language that seems to be a hallucinatory mixture of Polish and Russian characters: some words with identical meanings are written in different ways and others with different meanings are written the same way. Silent words written on city streets become living monuments that document, on one hand, the actual history of the city and, on the other hand, the people living there.

When I reach for an undefined "map" of letters and statements written on city streets, instead of reaching for a clearly delineated city map, a superficial understanding of Kaliningrad - the history, the desires, the sensitivity of people living there - points me questions without answers, puzzles without solutions. A conventional city map obscures the sensual image of city life. An ambiguous map of letters encourages and forces me to subjectively engage myself with Today Kaliningrad, My Kaliningrad - a city unknown to its very citizens.


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