From the editors
FOREWORD

THE KRONPRINZ TOWER. Projects for the National Centre for Contemporary Arts by Students of the Institute for Theory and Design in Architecture (Braunschweig, Germany)
FA+ (Ingrid Falk & Gustavo Aguerre) THE MYTHICAL FOUNDATION OF KALININGRAD
SKART
LUCKY TICKET

Artem Advokat
GRAFFITI

Anatolii Bakhtin
UGLY KOENIGSBERG

FORGOTTEN KANT AND THE KANT-BRAND IN KOENIGSBERG
Mark Borozna
MOSKOVSKII PROSPECT & THE SHADOWS AROUND ALTSTADT

LIGHT THE CRYSTALS OF KALININGRAD!
Kalle Brolin, Kristina Muntzing
POTENTIAL PLACE

Dmitrii Bulatov, Pavel Savel'ev
ACEPHALUS: OPTICAL MODELS

Ivan Chechot
TO GENIUS LOCI KALININGRAD AND KOENIGSBERG

THE RAILWAY STATION AND ENTRANCE TO THE CITY OF KALININGRAD
THE BRIDGES AND "THE PREGEL'S ODOR"
THE CATHEDRAL AND KANT FOR EVERYONE, OR IS GOD FEARSOME WITHOUT MORAL
KRONPRINZ
THE AMBER ROOM
THE HOUSE OF MACHINERY: THE RECONSTRACTION AND EXPLOITATION OF THE POPULATION
GAUL'S FOUNTAIN
A STROLL THROUGH THE CENTER
Ilya Dementiev
THE MOST PROFOUND SECRET OF ONE KOENIGSBERG LAWYER: HOFFMANN

Wolfgang Eichwede
KALININGRAD IN THE YEAR 2020 - A NOT QUITE FICTITIOUS CONVERSATION

John Craig Freeman, Greg Ulmer
IMAGING KALININGRAD: THE SEVEN BRIGES OF KOENIGSBERG

Elena Gladkova
FORMA URBIS. SYMBOLIC PARALLELS

Bert Hoppe
TRACES OF A VIRTUAL HISTORY IN A VERY REAL CITY

Martin Huettel
QWERTZ

Igor Isaev, Dmitrii Demidenko
SEWER HATCHES

Evgenii Kazannik
PORT

Irina Kozhevnikova
ZOO

MONUMENT TO 1200 GUARDSMEN IN KALININGRAD
TRADITIONS
Anders Kreuger
BEFORE THE CITY

KudaBegutSobaki
A LEGEND ABOUT FIVE LITTLE ULRICHEN AND FERRYMAN ANDRE

Olga Lopukhova
KANT'S TOMB

Manuela
NATASHA POTERYASHINA. Inteview

Werner Moeller
THE UNDREAMED OF CITY

Andrei Monastyrsky, Sabina Haensgen
EMPTY CENTER K.

Pavel Nastin
COURTYARD-WELL

Valery Orlov
IN OR OUT

Avenir Ovsyanov
BASTIONS IN DIAMONDS AND EMERALDS

KOENIGSBERG'S SPIRITUAL HERITAGE IN TONS, ITEMS AND SACKS. From the history of lost and found cultural heritage
THE BRIDGE THAT THE "RUSSIANS COULDN'T PULL DOWN"
Roger Palmer
BRIEF MEMORIALS

Aleksandr Ponomarev
THE GATES

Aleksandr Popadin
BINARY STATES OF "K" CITY

ERECTING BRIDGES
THE BULLS
IN THE FLOW: FOUNTAIN SEASON
NINE
WE ALL ARE GOING TO BE THERE
FRAGMENT OF A SYMPHONY FOR SLOW READING: IVANOV AND HIS SURROUNDINGS
CUBIC PAVEMENT
THE FIRE HYDRANT
THE WATERFALL HERACLES' BOLT
ALL-WEATHER KALININGRADIANS
HOAR-STONES AND BOUNDARY SYMBOLS
MUSCOVITES ARE HANGING
RAKETA
LIGHT UP DOM SOVETOV

Dali Rust
A WHITE SEAGULL ABOVE THE CITY: THE SYMBOLS OF THE OLD NEW CITY

Igor Sacharov-Ross
WINE CELLAR

Joanna Sandell
WRITING OF DREAMS

Olga Sezneva
CONCRETE ELEMENTS OF KALININGRAD

Aleksandr Sologubov
CULTURE IN A "FOREIGN" SPACE: AN INTRODUCTION

DESTINATION - KALININGRAD
FROM KALININGRAD DICTIONARY
MICROTOPONYMY
THE CATHEDRAL
KANT
THE ROYAL CASTLE
THE HOUSE OF SOVIETS
THE COUNTRY OF PENSIONERS - OR THE GERMANS
AMBER
ALCOHOLIC BEVERAGES
CHRIST THE SAVIOR CATHEDRAL
LIFE AND EGGS (A sketch about trams)
KALININ PARK
MONUMENTS
MYSTICISM
STOVES
TO BE IN THE MOOD FOR PACKING
Ingeborg Strobl ANIMALS IN KALININGRAD AND A MOSAIC
Rostan Tavasiev
LITTLE BRICKS

Elena Tsvetaeva
FOLK GRAFFITI

THE TOWER-REDAN "KRONPRINZ"
SERGEI TIMOFEEVICH
KOENIGSBERG CATS
THE ROAD TO BERLIN: FROM EPIC TO BANAL. Interview with Valerii Bugrov
Elena Tsygankova
WILD WEST OF RUSSIA

Eugenii Umanskii, Karpenko-Karpenko
KATYANASTYA

Evgenii Umanskii
ATTIC OF RECOGNITION

CHANUKAH
Oleg Vasiutin
TOWN PLANNING MATHEMATICS

Lana Vyshemirskaya
THE SMALL SCULPTURE "GIRL"

Dmitrii Vyshemirskii
MAN AND WOMAN

Erika Wolf
KANT'S BRIDES: A READYMADE PHOTOGRAPHIC CHRONOTOPE

Agnieszka Wolodzko
HABITATION UNITS

Marek Wolodzko
FOLLOWING SILENT WORDS

Peter Wunsch
KOENIGSBERG-KALININGRAD. THE TASTE OF MARZIPAN




THE HOUSE OF SOVIETS


Aleksandr Sologubov / Kaliningrad, Russia


I will not write about the history of this construction, about its unique technical and other solutions, about the number of floors (which I don't know, as I never counted them), and so forth. This is not interesting. Moreover, according to one Kaliningrad newspaper, not a single copy of the technical documents for this building is presently available in the city. We do not have a source to apply to.

The House of Soviets. As long as I can remember, it has stood there uncompleted. I have passed by it so many times and have never been inside. I will not go inside. Why? Ancient architects taught that "beauty is essential for the development of human soul… If a badly projected building is erected in a city, unfortunate children will be born in the city, and men and women who look at ugly structures will lead disharmonious lives." I am often asked about my attitude towards it. I reply that my attitude is similar to that of parents towards an ugly child: Love.

You are called many names: the vulgar bulk, the multileveled idol, pure ugliness, architectural eyesore, the monster house, the giant robot, what squalor!, the skyscraper of Pisa, the gray pimple, the hen-coop, the new castle, a monument to the CPSU (Communist Party of the Soviet Union), MSC (Monument to Soviet Chaos), Pavlov's house (for that very Sergeant Pavlov who said "We shall die but we shall never build it"), the wisdom tooth (I must note that it appeared in the place of another, rotten Prussian tooth; see the entry "Royal Castle").

Once, while talking to some Germans, I made a mistake: Haus der Ratten (House of Rats) instead of Haus der Raten (House of Soviets). Excuse me!

You are the hero of talks, negotiations, reports. You appear in local texts:


"Now, have a look at this dead rectangular bulk!" he said, pointing at the uncompleted building of the House of the Soviets. "It looks like an iceberg. An iceberg versus a sailing ship."

"There was a castle there," I reply. "A little bit to the left."

"I thought it was at that very spot," he said.

"No," I respond. "A bit to the left. It could have been restored, but it was blown up for some reason."

"Did you witness that that?"

"No. I was only born that year."

"And so they built this monster. It was not by chance anyway. It is a necessary part of the portrait, the architectural portrait of the city, its other face, an opposite face, another face of the two-faced Janus. It is a symbol of what we have done to the city. This reinforced concrete abomination all around."

"Yes," I agreed. "A painful sight. But when it's dark, you can't see it."


It is impossible to pass by without giving you a look. You are different at different times. Sky, sun, fog, moisture on your walls, they all decorate you. Nature is equally just towards all of its creatures.

Poor construction, a lonely nutcracker.


Translation by A. Matveeva


A. Chebykin. "Great is my native country!", 3d composing, 2005


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