From the editors
FOREWORD

THE KRONPRINZ TOWER. Projects for the National Centre for Contemporary Arts by Students of the Institute for Theory and Design in Architecture (Braunschweig, Germany)
FA+ (Ingrid Falk & Gustavo Aguerre) THE MYTHICAL FOUNDATION OF KALININGRAD
SKART
LUCKY TICKET

Artem Advokat
GRAFFITI

Anatolii Bakhtin
UGLY KOENIGSBERG

FORGOTTEN KANT AND THE KANT-BRAND IN KOENIGSBERG
Mark Borozna
MOSKOVSKII PROSPECT & THE SHADOWS AROUND ALTSTADT

LIGHT THE CRYSTALS OF KALININGRAD!
Kalle Brolin, Kristina Muntzing
POTENTIAL PLACE

Dmitrii Bulatov, Pavel Savel'ev
ACEPHALUS: OPTICAL MODELS

Ivan Chechot
TO GENIUS LOCI KALININGRAD AND KOENIGSBERG

THE RAILWAY STATION AND ENTRANCE TO THE CITY OF KALININGRAD
THE BRIDGES AND "THE PREGEL'S ODOR"
THE CATHEDRAL AND KANT FOR EVERYONE, OR IS GOD FEARSOME WITHOUT MORAL
KRONPRINZ
THE AMBER ROOM
THE HOUSE OF MACHINERY: THE RECONSTRACTION AND EXPLOITATION OF THE POPULATION
GAUL'S FOUNTAIN
A STROLL THROUGH THE CENTER
Ilya Dementiev
THE MOST PROFOUND SECRET OF ONE KOENIGSBERG LAWYER: HOFFMANN

Wolfgang Eichwede
KALININGRAD IN THE YEAR 2020 - A NOT QUITE FICTITIOUS CONVERSATION

John Craig Freeman, Greg Ulmer
IMAGING KALININGRAD: THE SEVEN BRIGES OF KOENIGSBERG

Elena Gladkova
FORMA URBIS. SYMBOLIC PARALLELS

Bert Hoppe
TRACES OF A VIRTUAL HISTORY IN A VERY REAL CITY

Martin Huettel
QWERTZ

Igor Isaev, Dmitrii Demidenko
SEWER HATCHES

Evgenii Kazannik
PORT

Irina Kozhevnikova
ZOO

MONUMENT TO 1200 GUARDSMEN IN KALININGRAD
TRADITIONS
Anders Kreuger
BEFORE THE CITY

KudaBegutSobaki
A LEGEND ABOUT FIVE LITTLE ULRICHEN AND FERRYMAN ANDRE

Olga Lopukhova
KANT'S TOMB

Manuela
NATASHA POTERYASHINA. Inteview

Werner Moeller
THE UNDREAMED OF CITY

Andrei Monastyrsky, Sabina Haensgen
EMPTY CENTER K.

Pavel Nastin
COURTYARD-WELL

Valery Orlov
IN OR OUT

Avenir Ovsyanov
BASTIONS IN DIAMONDS AND EMERALDS

KOENIGSBERG'S SPIRITUAL HERITAGE IN TONS, ITEMS AND SACKS. From the history of lost and found cultural heritage
THE BRIDGE THAT THE "RUSSIANS COULDN'T PULL DOWN"
Roger Palmer
BRIEF MEMORIALS

Aleksandr Ponomarev
THE GATES

Aleksandr Popadin
BINARY STATES OF "K" CITY

ERECTING BRIDGES
THE BULLS
IN THE FLOW: FOUNTAIN SEASON
NINE
WE ALL ARE GOING TO BE THERE
FRAGMENT OF A SYMPHONY FOR SLOW READING: IVANOV AND HIS SURROUNDINGS
CUBIC PAVEMENT
THE FIRE HYDRANT
THE WATERFALL HERACLES' BOLT
ALL-WEATHER KALININGRADIANS
HOAR-STONES AND BOUNDARY SYMBOLS
MUSCOVITES ARE HANGING
RAKETA
LIGHT UP DOM SOVETOV

Dali Rust
A WHITE SEAGULL ABOVE THE CITY: THE SYMBOLS OF THE OLD NEW CITY

Igor Sacharov-Ross
WINE CELLAR

Joanna Sandell
WRITING OF DREAMS

Olga Sezneva
CONCRETE ELEMENTS OF KALININGRAD

Aleksandr Sologubov
CULTURE IN A "FOREIGN" SPACE: AN INTRODUCTION

DESTINATION - KALININGRAD
FROM KALININGRAD DICTIONARY
MICROTOPONYMY
THE CATHEDRAL
KANT
THE ROYAL CASTLE
THE HOUSE OF SOVIETS
THE COUNTRY OF PENSIONERS - OR THE GERMANS
AMBER
ALCOHOLIC BEVERAGES
CHRIST THE SAVIOR CATHEDRAL
LIFE AND EGGS (A sketch about trams)
KALININ PARK
MONUMENTS
MYSTICISM
STOVES
TO BE IN THE MOOD FOR PACKING
Ingeborg Strobl ANIMALS IN KALININGRAD AND A MOSAIC
Rostan Tavasiev
LITTLE BRICKS

Elena Tsvetaeva
FOLK GRAFFITI

THE TOWER-REDAN "KRONPRINZ"
SERGEI TIMOFEEVICH
KOENIGSBERG CATS
THE ROAD TO BERLIN: FROM EPIC TO BANAL. Interview with Valerii Bugrov
Elena Tsygankova
WILD WEST OF RUSSIA

Eugenii Umanskii, Karpenko-Karpenko
KATYANASTYA

Evgenii Umanskii
ATTIC OF RECOGNITION

CHANUKAH
Oleg Vasiutin
TOWN PLANNING MATHEMATICS

Lana Vyshemirskaya
THE SMALL SCULPTURE "GIRL"

Dmitrii Vyshemirskii
MAN AND WOMAN

Erika Wolf
KANT'S BRIDES: A READYMADE PHOTOGRAPHIC CHRONOTOPE

Agnieszka Wolodzko
HABITATION UNITS

Marek Wolodzko
FOLLOWING SILENT WORDS

Peter Wunsch
KOENIGSBERG-KALININGRAD. THE TASTE OF MARZIPAN





Photo by E. Tsvetaeva, 2005

GRAFFITI


Artem Advokat / Kaliningrad, Russia


The familiar range of grays is not at all relevant to this city and its description. To start with, the city is yellow and red. But there are some spots of color that bring difference to the monotony of our perception of the streets. Graffiti, an art developed on another continent, continues to take root on Kaliningrad ground with much painful effort. Like any youngster, it has its own age and personality. Surprisingly, the fifteen years of co-existence of graffiti and the city have passed unnoticed by many, but this too is understandable. The rapid development of this kind of "painting" took place in 1996-98. It was during that time that most significant works that may still be seen in the city appeared. Nobody can state the reason for this, but it is obvious that since then, the city has continued to receive regular doses of colorful puzzles. The culture matures along with its adepts, styles divide into numerous trends, and we already witness vast wall-canvases employed as advertisements, and nearby, slightly less bright and spectacular works by free artists. Certainly, graffiti express the personality of its creators. Examining the places where one can find examples of street painting, the premiere site is the wall along the tramway tracks at Ianalova street. A dozen works here depict a contemporary vision of urban life and present-day life in general. Another open-air gallery is the fence of the cult building House of Soviets that faces Moscow Prospect. These works date back to 1998; here works by Kaliningrad artists are mixed in with works by guests from Moscow. In many other places in the city one can notice the outlines of fresh graffiti or semi-erased old works on the walls. Near Nizhnyi Lake, the walls form a kind of cemetery preserving the skeletons of semi-effaced works from the early 1990s. Twisted letters, funny faces, tragicomic stories - year by year, they penetrate deeply not only the walls of the city, but our hearts as well.


Translation by A. Matveeva


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